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By Michel Seuphor

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There is nothing absurd the realm of art in and the Futurists, before the Dadaists, were not far from creating an art of and introduce movement the absurd. To try a hazardous undertaking, to say the achieved it, look at the made they into painting And least. everything move. Today, works created by Severini, Balla, is yet they when we and Boccioni between 1912 and 1914, we perceive that the sense-less has produced masterpieces. Once again, defiance proved to be wisdom, while the "wisdom" later dedicated themselves led which certain Futurists dead end.

But he was Mondrian's pace allowed neither a leap forward nor a stepping aside nor the slightest distraction. ahead He moved surely, without letting his work get ahead of the work. was by small steps. All his life he was to worry as to whether the last canvas was an improvement on the preceding one. He was so obsessed But of his ideas, nor the ideas get advance he did, even though it by the idea of going further, even further, that he was tempted to still a little regard as negligible, even further, to reject as unpardonable errors, the achievements of the previous stage.

Dadaists are things because they are not afraid of being all in purpose principles, since these serve no other be trampled underfoot by the Dadaism laughs, because the world's misfortunes weapon are stupid. For one feeds what one combats, but no is long enough to reach laughter. Then, too, Dada's laughter has a very special quality. laughter that is the bravado, the eppure. which where flits is It a creative laughter, secretly contained wills, it It in is it the laughter of the holy is even in the every creative work, spirit God the very beard of the Father.

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